The Renaissance
(from Old French Renaissance, meaning "rebirth"; Italian: Rinascimento, from Latin re- "again" and nasci "be born"[1]) was a cultural movement that spanned roughly the 14th through the 17th century, beginning in Italy in the late Middle Ages and later spreading to the rest of Europe. It encompassed a revival of learning based on classical sources, the development of linear perspective in painting, and educational reform. The Renaissance saw developments in most intellectual pursuits, but is perhaps best known for its artistic aspect and the contributions of such polymaths as Leonardo da Vinci and Michelangelo, who have inspired the term "Renaissance men".[2][3]
Michelangelo's 'David'
c1500's
Mannerism
is a period of European painting, sculpture, architecture and decorative arts lasting from the later years of the Italian High Renaissance around 1520 until the arrival of the Baroque around 1600. Stylistically, it identifies a variety of individual approaches influenced by, and reacting to, the harmonious ideals associated with Leonardo da Vinci, Raphael, and early Michelangelo. Mannerism is notable for its intellectual as well as its artificial (as opposed to naturalistic) qualities.
Mannerism
is a period of European painting, sculpture, architecture and decorative arts lasting from the later years of the Italian High Renaissance around 1520 until the arrival of the Baroque around 1600. Stylistically, it identifies a variety of individual approaches influenced by, and reacting to, the harmonious ideals associated with Leonardo da Vinci, Raphael, and early Michelangelo. Mannerism is notable for its intellectual as well as its artificial (as opposed to naturalistic) qualities.
c1600's
Baroque
was a Western cultural epoch, commencing roughly at the turn of the 17th century in Rome. It was exemplified by drama and grandeur in sculpture, painting, literature, dance, and music.[citation needed]. In music, the term 'Baroque' applies to the final period of dominance of imitative counterpoint, where different voices and instruments echo each other but at different pitches, sometimes inverting the echo, and even reversing thematic material.
The popularity and success of the Baroque style was encouraged by the Roman Catholic Church which had decided at the time of the Council of Trent that the arts should communicate religious themes in direct and emotional involvement.[citation needed] The aristocracy also saw the dramatic style of Baroque architecture and art as a means of impressing visitors and expressing triumphant power and control. Baroque palaces are built around an entrance of courts, grand staircases and reception rooms of sequentially increasing opulence. In similar profusions of detail, art, music, architecture, and literature inspired each other in the Baroque cultural movement[citation needed] as artists explored what they could create from repeated and varied patterns. Some traits and aspects of Baroque paintings that differentiate this style from others are the abundant amount of details, often bright polychromy, less realistic faces of subjects, and an overall sense of awe, which was one of the goals in Baroque art.
The word baroque probably derives from the ancient Portuguese noun "barroco"[citation needed] which is a pearl that is not round but of unpredictable and elaborate shape. Hence, in informal usage, the word baroque can simply mean that something is "elaborate", with many details, without reference to the Baroque styles of the seventeenth and eighteenth centuries.
Baroque
was a Western cultural epoch, commencing roughly at the turn of the 17th century in Rome. It was exemplified by drama and grandeur in sculpture, painting, literature, dance, and music.[citation needed]. In music, the term 'Baroque' applies to the final period of dominance of imitative counterpoint, where different voices and instruments echo each other but at different pitches, sometimes inverting the echo, and even reversing thematic material.
The popularity and success of the Baroque style was encouraged by the Roman Catholic Church which had decided at the time of the Council of Trent that the arts should communicate religious themes in direct and emotional involvement.[citation needed] The aristocracy also saw the dramatic style of Baroque architecture and art as a means of impressing visitors and expressing triumphant power and control. Baroque palaces are built around an entrance of courts, grand staircases and reception rooms of sequentially increasing opulence. In similar profusions of detail, art, music, architecture, and literature inspired each other in the Baroque cultural movement[citation needed] as artists explored what they could create from repeated and varied patterns. Some traits and aspects of Baroque paintings that differentiate this style from others are the abundant amount of details, often bright polychromy, less realistic faces of subjects, and an overall sense of awe, which was one of the goals in Baroque art.
The word baroque probably derives from the ancient Portuguese noun "barroco"[citation needed] which is a pearl that is not round but of unpredictable and elaborate shape. Hence, in informal usage, the word baroque can simply mean that something is "elaborate", with many details, without reference to the Baroque styles of the seventeenth and eighteenth centuries.
c1700's
Rococo
a style of 18th century French art and interior design, "Commonly and mostly used in the very graceful age of the great Marie Antionette" Rococo style rooms were designed as total works of art with elegant and ornate furniture, small sculptures, ornamental mirrors, and tapestry complementing architecture, reliefs, and wall paintings. It was largely supplanted by the Neoclassic style.The word Rococo is seen as a combination of the French rocaille, or shell, and the Italian barocco, or Baroque style. Due to Rococo love of shell-like curves and focus on decorative arts, some critics used the term to derogatively imply that the style was frivolous or merely fashion; interestingly, when the term was first used in English in about 1836, it was a colloquialism meaning "old-fashioned". However, since the mid 19th century, the term has been accepted by art historians. While there is still some debate about the historical significance of the style to art in general, Rococo is now widely recognized as a major period in the development of European art.
Rococo
a style of 18th century French art and interior design, "Commonly and mostly used in the very graceful age of the great Marie Antionette" Rococo style rooms were designed as total works of art with elegant and ornate furniture, small sculptures, ornamental mirrors, and tapestry complementing architecture, reliefs, and wall paintings. It was largely supplanted by the Neoclassic style.The word Rococo is seen as a combination of the French rocaille, or shell, and the Italian barocco, or Baroque style. Due to Rococo love of shell-like curves and focus on decorative arts, some critics used the term to derogatively imply that the style was frivolous or merely fashion; interestingly, when the term was first used in English in about 1836, it was a colloquialism meaning "old-fashioned". However, since the mid 19th century, the term has been accepted by art historians. While there is still some debate about the historical significance of the style to art in general, Rococo is now widely recognized as a major period in the development of European art.
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Enlightenment
(French: Siècle des Lumières; Italian: Sècolo dei Lumi; German: Aufklärung) was an eighteenth century movement in Western philosophy. It is an age of optimism, tempered by the realistic recognition of the sad state of the human condition and the need for major reforms. Some classifications of this period also include 17th century philosophy, which is typically known as the Age of Reason.[1]
The term can more narrowly refer to the intellectual movement of The Enlightenment, which advocated reason as the primary basis of authority. Developing in France, Britain and Germany, the Enlightenment influenced most of Europe, including Russia and Scandinavia. The era is marked by such political changes as governmental consolidation, nation creation, greater rights for common people, and a decline in the influence of authoritarian institutions such as the nobility and Church.
There is no consensus on when to date the start of the Age of Enlightenment, and a number of scholars simply use the beginning of the eighteenth century as a default date.[2] Many scholars use the beginning of the Napoleonic Wars (1804–15) as a convenient point in time with which to date the end of the Enlightenment.[3]
c1800's
Neoclassicism
(sometimes rendered as Neo-Classicism or Neo-classicism) is the name given to quite distinct movements in the decorative and visual arts, literature, theatre, music, and architecture that draw upon Western classical art and culture (usually that of Ancient Greece or Ancient Rome). These movements were dominant during the mid 18th to the end of the 19th century.
What any "neo"-classicism depends on most fundamentally is a consensus about a body of work that has achieved canonic status. These are the "classics." Ideally—and neoclassicism is essentially an art of an ideal—an artist, well schooled and comfortably familiar with the canon, does not repeat it in lifeless reproductions, but synthesizes the tradition anew in each work. This sets a high standard, clearly; but though a neoclassical artist who fails to achieve it may create works that are inane, vacuous or even mediocre, gaffes of taste and failures of craftsmanship are not commonly neoclassical failings. Novelty, improvisation, self-expression, and blinding inspiration are not neoclassical virtues; neoclassicism exhibits perfect control of an idiom. It does not re-create art forms from the ground up with each new project, as modernism demanded. "Make it new" was the modernist credo of the poet Ezra Pound.
(French: Siècle des Lumières; Italian: Sècolo dei Lumi; German: Aufklärung) was an eighteenth century movement in Western philosophy. It is an age of optimism, tempered by the realistic recognition of the sad state of the human condition and the need for major reforms. Some classifications of this period also include 17th century philosophy, which is typically known as the Age of Reason.[1]
The term can more narrowly refer to the intellectual movement of The Enlightenment, which advocated reason as the primary basis of authority. Developing in France, Britain and Germany, the Enlightenment influenced most of Europe, including Russia and Scandinavia. The era is marked by such political changes as governmental consolidation, nation creation, greater rights for common people, and a decline in the influence of authoritarian institutions such as the nobility and Church.
There is no consensus on when to date the start of the Age of Enlightenment, and a number of scholars simply use the beginning of the eighteenth century as a default date.[2] Many scholars use the beginning of the Napoleonic Wars (1804–15) as a convenient point in time with which to date the end of the Enlightenment.[3]
c1800's
Neoclassicism
(sometimes rendered as Neo-Classicism or Neo-classicism) is the name given to quite distinct movements in the decorative and visual arts, literature, theatre, music, and architecture that draw upon Western classical art and culture (usually that of Ancient Greece or Ancient Rome). These movements were dominant during the mid 18th to the end of the 19th century.
What any "neo"-classicism depends on most fundamentally is a consensus about a body of work that has achieved canonic status. These are the "classics." Ideally—and neoclassicism is essentially an art of an ideal—an artist, well schooled and comfortably familiar with the canon, does not repeat it in lifeless reproductions, but synthesizes the tradition anew in each work. This sets a high standard, clearly; but though a neoclassical artist who fails to achieve it may create works that are inane, vacuous or even mediocre, gaffes of taste and failures of craftsmanship are not commonly neoclassical failings. Novelty, improvisation, self-expression, and blinding inspiration are not neoclassical virtues; neoclassicism exhibits perfect control of an idiom. It does not re-create art forms from the ground up with each new project, as modernism demanded. "Make it new" was the modernist credo of the poet Ezra Pound.
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Romanticism
is a complex, self-contradictory artistic, literary, and intellectual movement that originated in the second half of the 18th century in Western Europe, and gained strength during the Industrial Revolution.[1] It was partly a revolt against aristocratic social and political norms of the Age of Enlightenment and a reaction against the scientific rationalization of nature, and was embodied most strongly in the visual arts, music, and literature.
The movement stressed strong emotion as a source of aesthetic experience, placing new emphasis on such emotions as trepidation, horror, and the awe experienced in confronting the sublimity in untamed nature and its qualities that are "picturesque", both new aesthetic categories. It elevated folk art and custom, as well as arguing for a "natural" epistemology of human activities as conditioned by nature in the form of language, custom and usage
c1900's
Modernism
describes a series of reforming cultural movements in art and architecture, music, literature and the applied arts which emerged roughly in the period of 1884-1914.
The term covers many political, cultural and artistic movements rooted in the changes in Western society at the end of the nineteenth and beginning of the twentieth century. It is a trend of thought that affirms the power of human beings to create, improve, and reshape their environment, with the aid of scientific knowledge, technology and practical experimentation.[1] Modernism encouraged the re-examination of every aspect of existence, from commerce to philosophy, with the goal of finding that which was 'holding back' progress, and replacing it with new, progressive and therefore better, ways of reaching the same end. In essence, the modernist movement argued that the new realities of the industrial and mechanized age were permanent and imminent, and that people should adapt their world view to accept that the new equaled the good, the true and the beautiful. Modern (quantum and relativistic) physics, modern (analytical and continental) philosophy and modern number theory in mathematics also date from this period.[citation needed] Embracing change and the present, modernism encompasses the works of thinkers who rebelled against nineteenth century academic and historicist traditions, believing the "traditional" forms of art, architecture, literature, religious faith, social organization and daily life were becoming outdated; they directly confronted the new economic, social and political aspects of an emerging fully industrialized world. Some divide the 20th Century into movements designated Modernism and Postmodernism, whereas others see them as two aspects of the same movement
Romanticism
is a complex, self-contradictory artistic, literary, and intellectual movement that originated in the second half of the 18th century in Western Europe, and gained strength during the Industrial Revolution.[1] It was partly a revolt against aristocratic social and political norms of the Age of Enlightenment and a reaction against the scientific rationalization of nature, and was embodied most strongly in the visual arts, music, and literature.
The movement stressed strong emotion as a source of aesthetic experience, placing new emphasis on such emotions as trepidation, horror, and the awe experienced in confronting the sublimity in untamed nature and its qualities that are "picturesque", both new aesthetic categories. It elevated folk art and custom, as well as arguing for a "natural" epistemology of human activities as conditioned by nature in the form of language, custom and usage
c1900's
Modernism
describes a series of reforming cultural movements in art and architecture, music, literature and the applied arts which emerged roughly in the period of 1884-1914.
The term covers many political, cultural and artistic movements rooted in the changes in Western society at the end of the nineteenth and beginning of the twentieth century. It is a trend of thought that affirms the power of human beings to create, improve, and reshape their environment, with the aid of scientific knowledge, technology and practical experimentation.[1] Modernism encouraged the re-examination of every aspect of existence, from commerce to philosophy, with the goal of finding that which was 'holding back' progress, and replacing it with new, progressive and therefore better, ways of reaching the same end. In essence, the modernist movement argued that the new realities of the industrial and mechanized age were permanent and imminent, and that people should adapt their world view to accept that the new equaled the good, the true and the beautiful. Modern (quantum and relativistic) physics, modern (analytical and continental) philosophy and modern number theory in mathematics also date from this period.[citation needed] Embracing change and the present, modernism encompasses the works of thinkers who rebelled against nineteenth century academic and historicist traditions, believing the "traditional" forms of art, architecture, literature, religious faith, social organization and daily life were becoming outdated; they directly confronted the new economic, social and political aspects of an emerging fully industrialized world. Some divide the 20th Century into movements designated Modernism and Postmodernism, whereas others see them as two aspects of the same movement
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